Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jan van de Cappelle
hamnstycke med speglande vatten

ID: 69154

Jan van de Cappelle hamnstycke med speglande vatten
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Jan van de Cappelle hamnstycke med speglande vatten


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Jan van de Cappelle

1624-1679 Dutch Jan van de Cappelle Locations Dutch businessman, collector, painter, draughtsman and etcher. Though now considered the outstanding marine painter of 17th-century Holland, he was not a professional artist nor a member of the Amsterdam Guild of St Luke. His father owned a successful dye-works in Amsterdam, in which both Jan and his brother Louis were active. Their father enjoyed a long life and probably managed the firm until close to his death in 1674, when Jan inherited it. This left Jan with plenty of spare time to pursue his hobby, painting. He married Annetje Jansdr. (Anna Grotingh) before 1653. He died a widower, survived by his seven children, who inherited his considerable fortune. His last will shows that in addition to the dye-works and immense cash assets, van de Cappelle owned extensive properties and an art collection that must be rated among the most important of his time.  Related Paintings of Jan van de Cappelle :. | Dutch Yacht Firing a Salvo | Winter Landscape | River Landscape with Pellekussenpoort, Utrecht and Gothic Choir | A Shipping Scene with Dutch Yacht | hamnstycke med speglande vatten |
Related Artists:
Maujdar Khan Hyderabad
c.1866 r.1884-1911
Francisco Antolinez y Sarabia
Spanish Painter , Seville circa 1644-circa1700
Sir David Wilkie
1785-1841 British Sir David Wilkie Galleries Wilkie may have inherited his rectitude and tenacity, even his nervous inhibitions, from his father, the minister of his native parish. Though little responsive to schooling, he showed an early inclination towards mimicry that expressed itself in drawings, chiefly of human activity. In these he was influenced by a copy of Allan Ramsay pastoral comedy in verse, the Gentle Shepherd (1725), illustrated by David Allan in 1788. One of the few surviving examples of his early drawings represents a scene from it (c. 1797; Kirkcaldy, Fife, Mus. A.G.). Wilkie cherished the demotic spirit of this book and its illustrations throughout his life.






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